(no subject)

[sandandwater]

Hi! How are YOU doing. Let us know how you're doing right here, right now. You have one song, so make it count, k?

How do I
Get through one night without you
If I had to live without you
What kind of life would that be?
Oh I need you in my arms
Need you to hold
Your my world my heart my soul
If you ever leave
Baby you'd take away everything good in my Life.

And tell me now
How do I live without you
I want to know
How do I breathe without you
If you ever go
How do I ever, ever survive?
How do I
How do I
O how do I live?.

Without you
There'd be no sun in my sky
There would be no love in my life
There would be no world left for me
And I
Baby I don't know what I would do
I would be lost if I lost you
If you ever leave
Baby you would take away everything real in My life

And tell me now
How do I live without you
I want to know
How do I breathe without you
If you ever go
How do I ever ever survive?
How do I
How do I
O how do I live?...

Please tell me baby..

How do I go on?
If you ever leave
Well baby you would take away everything
Need you with me
Baby don't you know your everything good in My life

And tell me now
How do I live without you
I want to know
How do I breathe without you
If you ever go
How do I ever, ever survive?
How do I
How do I
O how do I live

How do I live without you
How do I live without you baby.......
How do I live....

Comments

[sand-andwater.livejournal.com]

Signore, Alessandro. The maestro I mentioned, I've always tended to refer to him by title over name given our age difference.

Sand casting is where you use wet sand, sculpted into a form or mold, and pour the flux (molten glass) into it to cool and set. I suppose some people view it as cheating or giving up a certain amount of control in the final look of the piece but I have my reasons for wanting to use this method of sculpting here. What I typically do, or have done in the past, is work with gathers of flux on a pontil, which is a hollow steel rod, and through spinning and blowing I would shape and form the glass that way.

In either case, I mix the silica myself to make the flux and I still make use of other tools to refine and contort the glass, adding detail or taking it away.

And now that I've gone on and on about myself, what is it that you do?

[deas-kids.livejournal.com]

*clearly interested in the explanation*

Wow, is that a gas. See, I always envisioned it as the blowing and pontil thing. I had no idea about the whole sand bit.I don't think it's cheating. You're still creating something out from your soul through a medium. It rocks.

Me? Singer, club promoter and talent manager, and sometimes bouncer. I'm a jackie of all trades in the music world. I'm not a day person obviously.

[sand-andwater.livejournal.com]

That I most certainly am.

Before returning to Venice I was more of a night person myself and somewhat more immersed in the music world as well. I'm not certain that I miss it.

[deas-kids.livejournal.com]

To each their own, you know? All types, world goes round and all that stuff.

I'm Violet by the way. Miss Violet Devile! What's yours Gaf?

[sand-andwater.livejournal.com]

Phillipa Kerr. Most people call me Pippa.

[deas-kids.livejournal.com]

Pippa? That's cool Gyrl! That's your birth name I take it?

[sand-andwater.livejournal.com]

It is, yes. Why wouldn't it be?

[deas-kids.livejournal.com]

Stage names. Lots of artists have them.

[sand-andwater.livejournal.com]

I'm not that sort of artist.

[deas-kids.livejournal.com]

Like there's only ONE type of artist that does that? Gyrl, not everyone was born with a cool name like Pippa. Not just strippers and singers do it. Hell, I changed my name when I was five.

Your parents were cool and didn't give you a crappy name.