Unsatisfied
Nov. 21st, 2008 04:38 am10. I'm easy as gin // I'm as gentle as sleep // But I'm not satisfied
(Deborah Conway – ‘I’m Not Satisfied’)
Saturday night and she’s back on the clock, working in the bar, being Last Call’s resident outstanding waitress. She doesn’t skip a table, mess up an order, spill a single drink. The bartenders are glad to have her around, she keeps her tabs organized and collects on them discretely and her empties never clutter their workspace. All the other servers are thrilled to let her sort out problems as they arise, figure the tips, juggle the schedules. It’s as if Pippa Kerr has never left. That two, almost three, month gap where she’d not worked a single shift couldn’t have been real. It feels just like old times.
Almost.
The music is different. The band isn’t as good. They aren’t bad by any means and the customers seem to enjoy them a great deal but the red haired woman with a tray in her hand can’t keep herself from looking at the stage and seeing someone else up there. Breaker Street is gone; Rory Stone’s warm and melodic baritone isn’t going to wrap itself around her as she makes her way between tables. The set list full of familiar tunes won’t be there to flood her mind with memories, good or bad. She isn’t going to return the flirtatious smiles and winks of the lead singer when he manages to catch her eye.
Unsettling.
For nearly two years now, she had a routine in this place. Wednesdays and Saturdays have been the touchstones of her life. Her security and stability. The crowd used to be made up of (mostly) familiar faces, the staff had been friends not just coworkers and the music—the music had been outstanding. The band had been good, too good as they finally managed to prove, and now they’d moved on to bigger and better things. With them went a lot of the regulars, their weekly habits changing during the ups and downs of trying to replace what had been the hallmark good time at Last Call.
Change.
As she closes up later, once all the patrons have gone and the band—what is their name again—has been paid, Pippa finds herself wondering how much more it’s going to change and whether or not she can change with it. Then it occurs to her as she’s walking to her car, alert and aware of Mike Owens standing in the doorway watching her, that she’s the one who has been changed. It’s still a bar, the music is still live and the drinks are still strong. The customers are happy to pay and the waitresses pleased to serve. She’s the one who is no longer the same.
Pippa Kerr//Last Call//441
(Deborah Conway – ‘I’m Not Satisfied’)
Saturday night and she’s back on the clock, working in the bar, being Last Call’s resident outstanding waitress. She doesn’t skip a table, mess up an order, spill a single drink. The bartenders are glad to have her around, she keeps her tabs organized and collects on them discretely and her empties never clutter their workspace. All the other servers are thrilled to let her sort out problems as they arise, figure the tips, juggle the schedules. It’s as if Pippa Kerr has never left. That two, almost three, month gap where she’d not worked a single shift couldn’t have been real. It feels just like old times.
Almost.
The music is different. The band isn’t as good. They aren’t bad by any means and the customers seem to enjoy them a great deal but the red haired woman with a tray in her hand can’t keep herself from looking at the stage and seeing someone else up there. Breaker Street is gone; Rory Stone’s warm and melodic baritone isn’t going to wrap itself around her as she makes her way between tables. The set list full of familiar tunes won’t be there to flood her mind with memories, good or bad. She isn’t going to return the flirtatious smiles and winks of the lead singer when he manages to catch her eye.
Unsettling.
For nearly two years now, she had a routine in this place. Wednesdays and Saturdays have been the touchstones of her life. Her security and stability. The crowd used to be made up of (mostly) familiar faces, the staff had been friends not just coworkers and the music—the music had been outstanding. The band had been good, too good as they finally managed to prove, and now they’d moved on to bigger and better things. With them went a lot of the regulars, their weekly habits changing during the ups and downs of trying to replace what had been the hallmark good time at Last Call.
Change.
As she closes up later, once all the patrons have gone and the band—what is their name again—has been paid, Pippa finds herself wondering how much more it’s going to change and whether or not she can change with it. Then it occurs to her as she’s walking to her car, alert and aware of Mike Owens standing in the doorway watching her, that she’s the one who has been changed. It’s still a bar, the music is still live and the drinks are still strong. The customers are happy to pay and the waitresses pleased to serve. She’s the one who is no longer the same.
Pippa Kerr//Last Call//441